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Masterworks 8: Power to the People!

Masterworks 8: Power to the People!



The Fox
1001 W Sprague Ave
Spokane, WA 99210 United States
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James Lowe, conductor
Glenn Dicterow, violin

This program explores political leadership and debate, starting with music by Ethel Smyth, a prominent women’s rights campaigner. Glenn Dicterow, long-time concertmaster of the New York Philharmonic and mentor of our concertmaster Mateusz Wolski, performed Serenade many times with Bernstein himself conducting.

Ethel Smyth
Overture to The Boatswain’s Mate
Leonard Bernstein
Serenade (after Plato’s “Symposium”)
Leonard Bernstein
Slava! A Political Overture
Dmitri Shostakovich
Symphony No. 5 in D minor, Op.47


Masterworks & Mimosas: Get a behind-the-scenes look at how the symphony perfects their work in the final moments with James at the dress rehearsal. Masterworks & Mimosas lets you be a part of the inner workings of the orchestra while enjoying a mimosas, coffee, and gourmet pastries. Join us at 10am on Saturday, April 20th.

You can also subscribe to all 6 Masterworks and Mimosas for only $156.

LoweDown: On Thursday, April 18th at Noon, Music Director James Lowe gives you the “LoweDown” on the music. It’s a free, fascinating, and light-hearted talk about the music. Held at the Northwest Museum of Arts and Culture (MAC).

Coming Soon

Violinist Glenn Dicterow has established himself worldwide as one of the most prominent American concert artists of his generation.

Mr. Dicterow has enjoyed a storied career. The concertmaster of the New York Philharmonic for 34 years, an all-time record in that major orchestral position, he became the first holder of the Robert Mann Chair in Strings and Chamber Music at the USC Thornton School of Music in 2013.          In the Fall of 2022 he became the holder of the Jascha Heifetz Chair in Violin at USC. Dicterow performs as a soloist with orchestras in the US and internationally while participating in musical festivals and chamber music, teaching in musical academies and leading masterclasses around the world. He also adjudicates at competitions, among a plethora of musical assignments in a “second act” easily as active as his much lauded years with the Philharmonic.

Glenn Dicterow first came to prominence at the age of 11, making his solo debut in Tchaikovsky’s Violin Concerto with the Los Angeles Philharmonic, where his father, Harold Dicterow, served as principal of the second violin section for 52 years. He first appeared with the New York Philharmonic in 1967, at the age of 18, performing the Tchaikovsky Concerto under the baton of André Kostelanetz.

Dicterow joined the Los Angeles Philharmonic as Associate Concertmaster in 1971, becoming Concertmaster there before turning 25. He came to New York as that orchestra’s Concertmaster in 1980, while soloing annually with the Philharmonic in each of his 34 years. In that time, he served as the orchestra’s “leader” (to use the British term) in collaboration with four very different music directors, Zubin Mehta, Kurt Masur, Lorin Maazel and Alan Gilbert

In a New York Philharmonic concert tour Dicterow was featured as the soloist in Leonard Bernstein’s Serenade After Plato’s Symposium, with Bernstein himself conducting. He performed the Waxman/Bizet Carmen Fantasy under Zubin Mehta as part of the New York Philharmonic’s  “Live From Lincoln Center” telecast, and he was a soloist in the orchestra’s 1982 concert at the White House. Another career highlight was his performance of the Barber Violin Concerto at the Great Hall of the People in Beijing, China during the Philharmonic’s 1998 tour of Asia.

His shelf of recordings is endless, as the Philharmonic’s Concertmaster, in a large array of solo assignments, both of the great romantic concerti and of the 20th Century classics that he has championed, and in a wide range of chamber music. He has twice recorded Rimsky-Korsakov’s Scheherazade with the New York Philharmonic, once with Yuri Temirkanov conducting, once with Kurt Masur. He and his wife, violist Karen Dreyfus, have committed Mozart’s Sinfonia Concertante to disc, alongside the Warsaw National Philharmonic Orchestra, led by Carl St.Clair. He has recorded violin sonatas by such heroes of American music as Ives, Copland, Bernstein, and John Corigliano.

“The Glenn Dicterow Collection,” a three-CD set on the New York Philharmonic label, surveys his career with the orchestra, in performances spanning thirty years, from 1982 – 2012, featuring his performances of concerti by Bruch, Bartok, Barber, Korngold, Prokofiev, Shostakovich and Szymanowski, plus the Bernstein Serenade, Kernis’s Lament and Prayer, and John Williams’s Theme From Schindler’s List, among many highlights.

As a sidelight, Dicterow has also provided the violin solos for numerous Hollywood films, including such modern classics as The Turning Point, The Untouchables, Altered States, Beauty and the Beast, Aladdin, and Interview With the Vampire, among others.

A graduate of the Juilliard School, where he was a student of Ivan Galamian, he also studied with Joachim Chassman, Naoum Blinder, Manuel Compinsky, Erno Neufeld, Gerald Vinci, Eudice Shapiro, Jascha Heifetz and Henryk Szeryng.

Today, Dicterow is as committed to passing on the great musical legacy that spurred his own career as he once was in his orchestral duties. Beside his endowed chair at the USC-Thornton School and his innovative work in the Manhattan School’s orchestral program, he is the leader of the String Leadership Program at Santa Barbara’s Music Academy of the West, training new generations of concertmasters and principal second violinists.

Among his many honors, the Young Musicians Foundation, a Los Angeles institution which has spurred the careers of innumerable artists, honored Dicterow in February 2015 with its “Living the Legacy Award.” It should be noted that in his early teens, Dicterow, who is now on the YMF Advisory Board, won that organization’s Debut Concerto Competition in 1963.

Glenn Dicterow and his wife, Karen Dreyfus, are founding members of the Lyric Piano Quartet and the Amerigo Trio, performing, recording, teaching and proselytizing at leading festivals and musical institutions around the world.

Ticket Information:

Single Ticket Prices: $19 – $68
Phone: 509-624-1200
Box Office: The Fox Theater, 1001 West Sprague Avenue

Health & Safety

As of today’s date, due to state mandate, the following safety protocols will be observed:

Proof of Vaccination or Proof of Negative Covid Test (within 72 hours): Not Required
Face Mask: Not Required
Policies are subject to change

Bag Policy

All bags (with the exception of clutches 6 1/2 by 4 1/2 inches) are subject to visual inspection by venue security.
Large bags are not allowed in The Fox, and must be checked in our Coat Check (located in the North Gallery) for the duration of the event.

Programs are subject to change